Stories


Beneath the Clothes
Any Day Now by Corina M. Peila, United States
Beauty Through Strength by Julie Howell, United Kingdom
White Series by Pantea Rahmani, Iran
Image and Identity by Shrawani Mukherjee, India
inside of me by Yuka Yamaguchi, Japan
Niente by Daniela Troilo, Italy
Out of beat by Andrea Lira, United States
A bra does not make the woman by Brenda Jiménez, Mexico
Deeper than Skin by Bianca van Baast, Netherlands, the
Self Portraits by Sascha Akhtar, Pakistan
ID 400 by Tomoko Sawada, Japan
Beauty Without Falseness by Yvonne Muinde, Kenya
Alternate Reality by Anki King, Norway
Be by Vanesa Capitaine, Mexico
How I See It by Leuwynda Forbes, United States
Crush in the Ghetto by Jolie Holland, United States
Drôle de rage by Lola Lafon, France
A Stranger in Her Own City by Khadija Al-Salami, Yemen
OMIAI by Tomoko Sawada, Japan
Self-Expression by Nessma Elaassar, Egypt
Chadori Tales by Taran Khan, India


Fashion Undercover
The Real Story of Superheroes by Dulce Pinzón, Mexico
Fashion Resistance to Militarism by Kimberly Alvarenga -Women of Color Resource Center, United States
Bellacini by Amanda Barrett, United States
Forged by Dina Adam, Sudan
A Rumination On Heels by Nana K. Twumasi, United States
Walk the Porn by Amor Ivett Muñoz Maldonado, Mexico
Love for Makeup by Maja Janjic, Bosnia – Herzegovina
Wearable Art: Going Back to the Origins by Katya Boltanova, Russia
On Faith, Fashion and Finding Common Ground by Sarah Ansari, United States
Defying Diana: A Guide to Fashion by the Hand-Me-Down Kid by Jennifer Clayton, United Kingdom
All Tattooed Up by Margaret Cho, United States
Cover by Waheeda Malullah, Bahrain
The Perfect Housewife’s Closet by Maria Ezcurra Lucotti, Mexico
Life Portrait by Sarah El Sawi, Egypt
Wrappings by Katrina Drabkin, United States
Living Doll by Evelin Stermitz, Austria
Staring at us by Miriam Peña, Mexico
Wanda’s World by Tanya Ruckstuhl-Valenti, United States
Auma by Stella Atal, Uganda
The Seductiveness of Modesty by Amani Fairak, Saudi Arabia
Cycollection Handbag Series by Cheryl Yun, United States
Wearable Art by Kasthamandap Art Studio, Nepal


Custom and Costume
The Beauty Academy of Kabul by Liz Mermin, United States
Good Hair by Danielle Scruggs, United States
Black Hair Day by Annette Quarcoopome, Ghana
You Bring Out the Sri Lankan in Me by Sharanya Manivannan, Sri Lanka
Marie, an Iranian Transsexual by Newsha Tavakolian—EVE Photographers, Iran
An American in Paris by Rupa Marya, United States
Plow Right Through by Sumayya Maria Essack, United States
Coffin Nest by Khadija Baker, Syria
Our Ethnic Identity by Siti Norkhalbi Haji Wahsalfelah, Brunei
The Women of Abya Yala by Sandra Valencia Sebastian Pedro, Guatemala
Mayan Women by Andrea Aragón, Guatemala
Kashmira by Phoebe Boswell, Kenya
Breaking the Lesbian Stereotypes by Nadine M. , Lebanon
Slip of the Tongue by Karen Lum, United States
Sisters by Iz Oztat, Turkey
Arusa by Jihan Ammar, Egypt
Miss Gulag by Maria Ibrahimova Yatskova, Russia


Brainwashed?
Living Healthy by Carnie Wilson, United States
Flesh and Bone by Jackie Alpers, United States
Sex Comics and Embroidery by Blanka Amezkua, Mexico
Keitai Girl by Noriko Yamaguchi, Japan
Film Hindi by Malak Helmy, Egypt
Ex-Fat Girl by Nagi Noda, Japan
Beautiful People by Marie Mathiesen, Denmark
Mirror, Mirror by Sevdije Kastrati, Kosovo
Myself as Manga by Rocío Con Hong, Costa Rica
Wild Thing by Anne Chao, Taiwan
Fashioned by Wilka Roig, Puerto Rico
The Birthday Girl by Alison Ward , United States
Women’s House by Lee Sun-Min, South Korea
Bleach my skin white by Dami Akinnusi , United Kingdom
Islam in Vogue: Muslim Women in the Media by Ellen McLarney, United States
Novela, Novela by Elizabeth Miller, United States
Seventeen by Jennifer Steele, United States


Body Parts
Fat! Fit? Flabulous! by Gabriela Hasbun, United States
Home by Karla Solano, Costa Rica
What I Was Wearing by Mary Simmerling, United States
Can you go through? by Ju-Young Ban, South Korea
Potasa, 100% Relaxer by Giselle Fiallo, Dominican Republic
I Love my Vagina, I Hate my Vagina by I-Wen Tang, Taiwan
Any "Hope" with Eating Disorders in Croatia? by Ivana Glavina, Croatia
Cutting Along the Lines by Regina José Galindo, Guatemala
Bonding by Shaz Bennett, United States
Why me? by Maria Graciela Baéz Benitez,
Flirtatious Parts by Esther Babb, Mexico
Women React in Fury by Sandra Bello, Mexico
Breaking the Silence by Assabah Khan,
An Autoethnographic Account of Cosmetic Surgery by Victoria Pitts-Taylor, United States
Hive by Megan Randlett, United States
Learning to Love My Self—A Naturist Perspective by Tracy Horgan, United States
What makes a woman truly happy? by Mariana Bello , Mexico
Skin Deep by Gwen Ong, United Kingdom


The Age of Beauty
Finding Beauty by Jennifer Siebel, United States
I Am 22 Years Old by Fanny Allié, France
Living Beauty by Xiang Jing, China
Cheerleader by Kimberlee Bassford, United States
Sewing by Alejandra Phelts, Mexico
Super Blond by Andrea Aragón, Guatemala
The True Living by Sabrina Ward Harrison, Canada
Reflex: Reflect by Chinkara Singh-Derewa, United States
Whatever Happened to My Youth? by Coryse Borg, Malta
Health, Wellness, and Personal Power by Jillian Michaels, United States
Corsets for the Modern Women by Autumn Carey Adamme, United States
Corsets and Steel by Kara L. Rooney, Italy
Don't Grow Up So Fast by Maria Isabela Arango, Colombia
About My Sisters by Ellie Brown, United States
Themes
Love
Relationships in changing times. See the Stories>>

Money
Working women talk finances. See the Stories>>

Culture and Conflict
Are we destined to disagree? See the Stories>>

The Future
Envisioning the next 30 years. See the Stories>>

Highlights
Highlighted stories in film, art, music and more. See the Stories>>

War & Dialogue
Speaking from war. Advocating peace. See the Stories>>

Young Men
Our generation: young men speak out. See the Stories>>

Motherhood
Women get candid about pregnancy, parenting and choice. See the Stories>>

Image and Identity
Appearances aren't everything, or are they? See the Stories>>

Online Film Festival
31 films from women directors around the world. See the Stories>>

A Generation Defined
Who are young women today? See the Stories>>

Best of Contest
You came, you saw, you voted. Here are the winners. See the Stories>>
Conversations

Beneath the Clothes
The English say that “Beauty is only skin deep,” the Romanians muse that “Beauty without wisdom is like a flower in the mud,” while the Chinese claim that “If there is light in the soul, there will be beauty in the person.” Join the Conversation»

Fashion Undercover
View the stories in Fashion Undercover where we have fun with fashion. Allow us to present some fashion do’s and don’ts: Join the Conversation»

Custom and Costume
You’re out on the street and see a young woman walking towards you. In a split second, subconsciously, you immediately classify her--class, ethnic group, religion, age, politics. Join the Conversation»

Brainwashed?
Is the media in your closet? Do you catch yourself copying fashions from your favorite celebrity rag or favorite television show? And is that such a bad thing? Join the Conversation»

Body Parts
Ever wish you could take your body into a repair shop and fix it, or replace it with a better, more beautiful model? Join the Conversation»

The Age of Beauty
When do we stop being young? Do we stop being beautiful once we are no longer young? Join the Conversation»
What Defines Your Generation of Women?
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STATISTICS:
In 2003, 1.1 billion (or 40 percent) of the world’s 2.8 billion workers were women; this represents an increase of nearly 200 million women in formal employment between 1993and 2003.
In Asia, the informal sector absorbs between 40 and 50 percent of the urban labor force.
"Why are you looking at me?"
Blank Noise
IndiaGALLERYCONVERSATION
One wet and windy evening, as the lights turned red at the traffic signal of Bangalore’s Brigade Road, a line of men and women silently appeared across the zebra crossing. Each person wore an alphabet that glowed.

Together they formed the sentence: ‘Why are you looking at me?’ When the lights turned green, the line silently moved away, just as it had come. But in those seconds, every pair of eyes from every impatient, fume breathing vehicle was focused on those letters.

These people were part of the Blank Noise Project – an initiative against street sexual harassment started by art student Jasmeen Patheja. In India, when a woman is harassed on the street, she’s often made to feel like she asked for it, like it was her fault. “Were you wearing a sleeveless shirt?” a disapproving aunt will ask. “Were you out late?” a concerned father will query. But so what if you were? Did you really every ask for it? India’s law sees as a crime the act of “outraging the modesty of a woman”. The use of the rather quaint word ‘modesty’ makes us ask, does the law act any differently if I were groped and leered at while wearing, say, a navel-exposing leather two piece suit than it would if I was demurely draped in a sari? Does it discriminate?

Blank Noise asks these questions. Targeted in the metropolises of Bangalore, Delhi and Bombay, we want to get people out of the complacency they have adopted when they think about street harassment. If it happens everyday, all the time, does that make it alright? People will reassure you after a bad experience, “But you’re alright, aren’t you? He didn’t… do… anything, did he?” If it’s not rape, and you survived, all’s well that’s ends well?

At Blank Noise we’re saying NO it’s NOT. It’s NOT OK to be groped, leered at, pushed, pinched, rubbed, cat-called. The project is out on the streets. Groups of volunteers ask people to define “eve teasing” (that ridiculously underplayed term we’re always using in India when what we actually mean is harassment). There are opinion poll boards they carry around at different city locales, bus stands, for instance, asking people what they would consider harassment; is it looking, staring, ogling, stalking, groping, touching….

This is often accompanied by interviews on what punishment it should merit and whether they would intervene if they saw harassment take place. These interviews give us some priceless insights into how people view harassment of women on the streets.

“Girls ask for it when they dress provocatively,” both women and men have said.

“We cannot control ourselves when we see someone dressed like that.”

Apart from asking people’s opinions to gauge what public perceptions of harassment are, we also have demonstrations and public performances like the one at the street light. On most streets where women look down at the ground, avoiding eye contact, swerving to avoid people reaching out to grope them, it is a strangely empowering feeling to be at a streetlight staring down a man with your breasts forming part of the sentence why are you looking at me?”

It’s an unusual experience for many men to be stared at by a woman. In Bangalore when we were at the street light, men would finally turn away from our stare. It flipped the traditional power structures where women shy away from mens’ gaze. Here we were in control, we were staring them down. When they asked us what we were doing, we handed out pamphlets outlining Article Section 354 IPC about eve teasing being a criminal offence. Once you get people’s attention it’s easier to draw them into a dialogue.

Jasmeen has been taking photographs of her eve teasers over the last two years and putting them on the Blank Noise blog along with section 354 of the Indian constitution. Photographing the eve teasers has reversed the power of the ‘perpetrator’, thus making him vulnerable to being exposed. Each photograph speaks of a unique encounter with the eve teaser; there was one where a young man insisted he only had a ‘crush on her’, that he did not mean to sexually harass her, that he was a ‘decent man’. The fact is that eve teasing is not always street sexual bullying for the eve teaser; he is not always a perpetrator in his own eyes, its true that in some stratas of Indian society it is seen as a form of wooing. This has been further propagated by Indian mainstream cinema. The guy gets the girl by chasing her, teasing her, wooing her. In another instance the eve teaser pleaded and begged Jasmeen to not publish his photograph. This was after molesting her in a crowded bus. He got off the bus saying, “ please don’t do this to me, I am a father of two children.”

At Blank Noise we are also working on another project “Did You Ask For It”. We’re asking for clothes that people were wearing when they were harassed. Most people remember them to the last detail – underwear and socks. So we’re collecting all the clothes people send us and all the little scrawled notes that accompany them, personal traumas and buried memories tumbling out in courier packages that come from far away. All the clothes will be built into an enormous 1000-piece installation that we hope to construct at very public intersections in Mumbai, Bangalore and Delhi.

This is to defy the assumption that you “asked for it” by what you were wearing. Because, honestly, whether you were wearing a shalwar kameez which covered your wrists and your ankles or a tank top which didn’t… your chances of being harassed and made to feel unsafe on the street are just as high. When people question your clothes or your “attitude” after you have had a bad experience they’re suggesting that it was your fault, that you were provocative. This is rubbish!

On International Women’s Day, Blank Noise had a blog-a-thon: bloggers from across the world posting about harassment experiences on their blogs. The response was overwhelming which just goes to show that most women in India, despite what they say and how they might be in denial, have been harassed. It has disturbed them. They’ve dealt with it, invariably, alone. But Blank Noise is a collective effort. It’s very public; as public as harassment itself. It encourages people to come out and talk about it. To recognize that it’s not your fault if someone encroached upon you, it is a crime; and the perpetrator must be punished.

We had overwhelming responses from men and women from all over the world: Italy, China, UK, US, and all over India Lucknow, Mumbai. Delhi, Bangalore, Chennai, Kolkta to name a few. The responses came in the form of testimonials, opinions, and experiences. We can safely call the Blank Noise blog-a-thon an online mass catharsis.

While the term eve teasing is specifically Indian, the issue of street sexual harassment is universal. We are open to ideas on how you would like to participate on both an online and offline basis.

We are currently focused on a building installation of clothes as testimonials, for the DID YOU ASK FOR IT, project. We are hoping to receive clothes from people all over the world. Mid year we hope to have that 1000-piece installation up in the center of India’s largest cities, hitting people with the reality that street sexual harassment exists, there is no such thing as asking for it!
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Nicole Mc. (United States)
Blank Noise is doing a very great eye opening project. Being harassed on the street is never okay, it doesn't matter if it is just a comment or if they are touching you in any way. I wish that there are more projects like this one around the world. No matter where you are in the world you have a right to walk down the street without being harassed.
Clint (United States)
No woman should live in fear of walking down the street because she'll be sexually harassed. Saying that "we cannot control ourselves" is a very cheap excuse for blatant sexual harassment.
Grace Doty (United States)
“When a woman is harassed on the street, she’s often made to feel like she asked for it, like it was her fault. The guy gets the girl by chasing her, teasing her, wooing her”? Wow! This is insane. I am glad that there is movement against street sexual harassment. And I think it is very good and empowering Blank Noise Project is doing and getting men and women come together and fight against this k
Grace Doty (United States)
“When a woman is harassed on the street, she’s often made to feel like she asked for it, like it was her fault. The guy gets the girl by chasing her, teasing her, wooing her”? Wow! This is insane. I am glad that there is movement against street sexual harassment. And I think it is very good and empowering Blank Noise Project is doing and getting men and women come together and fight against this k
Celina T. (United States)
I think Blank Noise had a very creative way of approaching harassment. Women shouldn't feel like they deserved to be harassed and they shouldn't feel like it's their fault. I think Blank Noise is doing a great job in protecting these women.
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