Stories


Self
Holy Angel by Anna Rikkinen, Finland
A White Knight’s Story by Anna Alexandrova, Russia
Growing Roots by Oksana Baiul, Ukraine
Unfolding Posture by Heba Farid, Egypt
Hettie had a few Reservations by Amelia Walker, Australia
In the Eye of the Beholder by Toyin Sokefun, Nigeria
Unfolding by Lone Mørch, Denmark
Reclamation by Cheryl Cabrera, United States
Yo animal by Maria Adela Diaz, United States
Since flies supposedly don't like to settle on the blue by Shirin Kouladjie, Iran
The Room by Amal Kenawy, Egypt
I Want to Have Your Baby (film) by Caroline Koebel, United States
I Am a Beauty by Nassrin Nasser, Iran
Spectacles by Clare Yow, Canada
Luis y Fla by Flavia Da Rin, Argentina
Summer Blossom by Nathalia Orozco, Mexico
Diary by Anna Soler Cepriá, Spain
Self Portrait by Suzanna Carlota Schlemm , Brazil
Aquarela by Ivani Castilho, Brazil
Cartas Marcadas by Eliane Bettocchi, Brazil
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Interview with Amina Lawal by Hafsat Abiola, Nigeria
Para Besarte y Acariciarte Mejor by Jessica Lagunas, Guatemala
A photographic series of people in Central and Eastern Europe by Lucia Nimcova, Slovakia


Relationships
Soaked in the Bath of Desire by Shen Ling, China
Puzzle Series by Leticia Bernaus, Argentina
Family Album by Katerina Otcenaskova-Richtr, Czech Republic
Forbidden Love by Stella Nanni, Brazil
Wedlock by Manal Al-Dowayan, Saudi Arabia
Dirty Tricks with Rok and Mrs. Baskar by Ivanka Apostolova, Macedonia
Breaking barriers by Marie-Joe Raidy, Lebanon
The Bride's Tears by Aimée Boukary, Niger
Verité by Karen Rigby, United States
Two young women migrants by Indira Endaya, Philippines, the
The Kiga Hug by Amanda Tumusiime, Uganda
She Will Belong by Eva Kanana Mabura, Kenya
Positively Romantic by Monique Tondoi Wanjala, Kenya
My Sister by Annette Kristiansen, Norway
Friends by April Livesley, Australia
Illusory Image by Chen Qiulin, China
The Rainbow Generation by Penny Montford, United Kingdom
Crossing Monologues by Merike Sule-Trubert, Estonia
Lighting a Candle by Hafsat Abiola, Nigeria
Lighting a Candle by Hafsat Abiola, Nigeria
Lighting a Candle by Hafsat Abiola, Nigeria
Lighting a Candle by Hafsat Abiola, Nigeria
Lighting a Candle by Hafsat Abiola, Nigeria
Lighting a Candle by Hafsat Abiola, Nigeria
Lighting a Candle by Hafsat Abiola, Nigeria
Excerpt from Lovesong by Nikki Gemmell, Australia
Film Clip from Before Sunset by Julie Delpy, France
Untitled by Jessica Gomula , United States
Between the Covers by Nicky Newman, South Africa
Ardhanarishwara by Charuvi Agrawal, India
Being True to the Most Important Partnership in A Our Life – Ourselves by Christine Arylo, United States
One is Not the Loneliest Number by Jolivette N Mecenas, United States
I go looking for you in places I know by Madeleine Mullett , United Kingdom
Dear Letta (film) by Brooke White and Susie Meserve , United States
Celtic Raag by Pireeni Sundaralingam, Sri Lanka
Waltz For a Night by Julie Delpy, France
Old Maid by Vivian Nocum Limpin, Philippines, the
Wahad Areese, Please! (A Husband, Please!) by Zena el-Khalil, Lebanon
A Wind Untamed by Lada Karitskaya, Russia
Morning After by Ruby Xuequn Pan, Singapore
Assisted Marriage by Sadaf Siddique, India


Motherhood
Bellydancers by Jaime Koebel, Canada
Mother with Child by Sui Shuxia, China
New Colonies by Swarupa Shah, India
Mother by Anna Wiśniewska, Poland
Lack of Significant Difference by Jessica Loseby, United Kingdom
Expecting (from The Modern Jewish Girl’s Guide to Guilt) by Rebecca Walker, United States
Swiggy by Ali Smith, United States
Hope by Andrea Chung, United States
Lily Pads by Christine Luksza-Paravicini, United States
Now by Achinoam Nini, Israel
Mamalas by Valentina Campos, Bolivia
Momma Love by Ali Smith, United States
Beautiful Bellies by Christine Luksza-Paravicini, United States


Health
The Baker’s Bag Project by Karin Heisecke, Germany
In All My Dreams by Rovena Agolli, Albania
Kenya Body Maps by Barbara Kimegisha (TICAH & Point Of View), Kenya
Thailand Body Maps by Muei (TICAH & Point of View), Thailand
India Body Maps by Gouri Narayan (TICAH & Point of View), India
Badmash Animation on HIV/AIDS by Breakthrough, India
Maati by Breakthrough, India
Forging a New Path by Monica da Silva (World Pulse Magazine), South Africa
Dreamings by Jessica Horn, United Kingdom
Excerpt from With Faith Eroded by Margarita Aguilar, Mexico
I am by Marcella Cross, Canada
Before the Hockey Game by Kathryn Fischer, United States
Love, Labor, Loss: A film on obstetric fistula in Niger (film) by Lisa Russell, United States
Themes
Love
Relationships in changing times. See the Stories>>

Money
Working women talk finances. See the Stories>>

Culture and Conflict
Are we destined to disagree? See the Stories>>

The Future
Envisioning the next 30 years. See the Stories>>

Highlights
Highlighted stories in film, art, music and more. See the Stories>>

War & Dialogue
Speaking from war. Advocating peace. See the Stories>>

Young Men
Our generation: young men speak out. See the Stories>>

Motherhood
Women get candid about pregnancy, parenting and choice. See the Stories>>

Image and Identity
Appearances aren't everything, or are they? See the Stories>>

Online Film Festival
31 films from women directors around the world. See the Stories>>

A Generation Defined
Who are young women today? See the Stories>>

Best of Contest
You came, you saw, you voted. Here are the winners. See the Stories>>
Conversations

Self
Every so often we catch a glimpse of ourselves… whether in a quiet moment with friends, or quickly glancing at the mirror each morning before rushing off to start the day. Who is it that what we see? Join the Conversation»

Relationships
On-line dating, ‘semi’-arranged love marriages, alternative lifestyles… The world is changing at a rapid pace, and it is dramatically affecting the way young women handle the subjects of courtship, marriage, family, and friendship. For example, the average age at first marriage for young women in 1970 was 21.4; by 2000, it was 25.5. Join the Conversation»

Motherhood
Images of motherhood have inspired beautiful pieces of art, both across cultures and throughout time. The entries we received on this topic are no less filled with wonder. But young women today are also thinking about some new and interesting questions with respect to topic of childbearing. Join the Conversation»

Health
Our closest relationships can also be the site of serious health risks and hazards. Join the Conversation»
What Defines Your Generation of Women?
selected theme
Love



HOME  |   EXPLORE OTHER THEMES     |   STORIES     |  CONVERSATION    |  EVENTS  |  TAKE ACTION  |  ABOUT
Search:  
  GO  
REGISTER  |  LOGIN Change Language»    Invite a friend »
STORY OPTIONS
READ STORY IN
PRINT
SAVE TO YOUR SAVED STORIES
SEND THIS STORY TO A FRIEND
ADD YOUR STORY
TAKE ACTION
Support IDEX
Help give training and resources to women.
Young Women Leading Change
Support the World YWCA's Leadership Development programs for girls and young women around the world.
STATISTICS:
According to a 1999 UNICEF report from the United Nations Children’s Fund, “…by the end of the year 2000, a cumulative total of 13 million children…lost their mother or both parents to AIDS, and 10.4 million of them (were) under the age of 15.”
According to a 1999 UNICEF report from the United Nations Children’s Fund, “studies in urban households of Côte d’Ivoire…show that when a family member has AIDS, average income falls by 52 to 67 per cent, while expenditures on health care quadruple.”
Sasa! (30 min)
Chanda Chevannes
CanadaGALLERYCONVERSATION
 Media Center
Sasa is a Kiswahili word that means now. Through my film I wish to convey a sense of urgency - now is the time to stop violence against women and prevent HIV/AIDS.

Prior to living in Uganda and working on this film, I was oblivious to the connection between domestic violence and HIV/AIDS. I did not understand the fear that many women live with daily or the sheer inequality they face in their home and communities.

When a woman fears violence from her partner, she is unable to negotiate safe sex, question him about his sexual partners or refuse to have sex if she suspects he is infected.

Conversely, if a woman suspects that she may be infected with HIV, she often will not discuss it with her partner or seek treatment for fear of violence or abandonment. Women who are suspected or found to be HIV positive face violence and stigma from their partners, in-laws, family and the community.

Sasa! highlights this injustice and demonstrates how, despite the incredible adversity, women in East Africa are addressing these issues, reaching out to one another and working together to change the power dynamics between women and men.

While we cannot fight all the battles, it is still vital to be aware of the issues affecting women of our generation. Especially when we have so much to learn from others' struggles and their incredibly creative approaches and solutions to issues affecting their lives.

 

 

 

FLAG THIS STORY FOR REVIEW
A Film a Day
Conversations
(124 comments)
JOIN THE CONVERSATION
Joslyn Rose Lyons
United States
Latest Comment
www.Jog9.com
ADDED STORIES (1)
Add
 
winfridah chilyobwe mcekeni
United States
   
RELATED ITEMS (31)

 
Tintin Wulia
Australia
I've always suffered from insomnia even as a child.
GO TO STORY »
Stéphanie Machuret
France
During an African dance lesson, as I was tapping into my...
GO TO STORY »
Xoliswa Sithole
South Africa
I am an adult orphan who lost her mother to HIV/AIDS in...
GO TO STORY »
Helena Bulaja
Croatia
My film is an adaptation of a Croatian fairytale written in...
GO TO STORY »

©2008 International Museum of Women / Privacy Policy and Disclaimer / Translated by 101translations / Change Language
The content in this exhibit does not necessarily represent the opinions of the International Museum of Women, or its partners or sponsors.